Mont Blanc
Saturday, February 18, 2012
Pago Pago, American Samoa
After the tour I had enough time to wander down to a resort and have a dip in the sea. It was amazing to float out there and see the tall green mountains all around. The island is of course tropical, and filled with such lush greenery. On my next (as yet hypothetical) visit, I would love to do some hiking in the national park. I read about a few amazing hikes you can take there. Next time! But I did manage to get in a little shopping before I had to rush back for rehearsal. It was a lovely day, and a lovely place. I hope I come back!
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Monday, February 13, 2012
A more Pacific crossing
Yesterday we crossed the equator, and the Queen Elizabeth witnessed a large scale version of the traditional ceremony. Having now seen an English pantomime I could recognize elements of one incorporated into the presentation. The deck was completely packed, and hundreds of guests signed up to be initiated from "pollywogs" to "shellbacks" at their first crossing of the equator. We supplied the music, leading a procession and playing the death march as hundreds of guests received their punishment for crossing into the realm of Neptune uninvited - kissing a large fish. Later they were " gunked" by crew with leftover food sludge. So much fun for them.... Would YOU sign up?? Lastly some crew were punished excessively to everyone's amusement....one poor guy with a sensitive composition, one of the actors, was about to vomit and was retching a little....we laughed I must admit. He definitely turned green around the gills. What fun! Actually the ceremony is quite fun, and we had front row seats as the band. Even if we did have to play the death march about a thousand times in a row waiting for 300 guests to kiss the same fish.
The other night we played for a male vocalist who sang literally nothing but Andrew Lloyd Weber. I thought that since he was male, at least we definitely wouldn't have to play the sickeningly overused Don't Cry for Me Argentina and Memory, which are female songs. I was wrong. The show opened with the famously recognizeable Phantom of the Opera riff. For the best mood-lightener ever, the award goes to Bryan, our saxophonist. Referring to the eighth notes in said opening, he asked, "So we're swinging these, right?" We laughed our way through those usually eternal final two minutes to showtime, doing impressions of what the Phantom music would sound like if swung. When it came to downbeat we could barely play it with a "straight" face.
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